Projects and Publications
Siena’s Sacred Staging: Art, Devotion, and the Viewer [forthcoming]
Transcendent Tresses: Viewing Hair and Hermitage in Fifteenth-Century Florence Through Donatello’s Penitent Magdalene
To Taste the Arts: An Analysis of Artistic Subsidies and Cultural Omnivorism
In the Arms of Anguish: A Critique of Michelangelo’s Rome Pietà and the Tragedy Paradox [forthcoming]
Imago Doloris: Polidoro da Caravaggio’s Way to Calvary Imagery
To Repatriate or Not to Repatriate: The Legal Barriers Surrounding Deaccession in British Museums
Between Symbol and Reality: Rembrandt’s Night Watch and the Performance of Patriotism
The Transfer of Sentiment: A Critique of Leo Tolstoy’s View on Art [forthcoming]
Decolonising the Empire: British Museums and the Challenge of Decolonisation
The Birth of a Venetian Venus: From the Page to the Painting [forthcoming]
Alae Volucri et Vulultas Carnis: An Analysis of Sensuality and Morality in 17th-Century Dutch Genre Paintings [forthcoming]
When a Mother’s Child Dies, Two Hearts Stop Beating: An Analysis of Maternal Anguish [forthcoming]